Monday, November 7, 2016

15 Rooms Flaunting Tried & True Farmhouse Tables

15 Rooms Flaunting Tried & True Farmhouse Tables

Farmhouse tables are like a favorite, time-worn pair of jeans, or the perfect LBD of furniture — they go with everything and work on everyone. Long farmhouse tables evoke images of harvest dinners, families and friends gathered together to share a meal and stories, an event worth attending. In reality, they can be all of those things, but they’re also beautifully utilitarian as well. Homework and projects can be spread wildly over them, crafts and DIYs have enough room to come to fruition, and a meal for one can be just as inviting as having the whole family.

We’ve gathered 15 of our favorite long farmhouse tables to inspire your own home, or fantasize about running away to an apple orchard in upstate New York and staring down the length of a farmhouse table filled with an array of seasonal cuisine. —Rebekah 

from Design*Sponge http://www.designsponge.com/2016/11/best-of-long-farmhouse-tables.html


pop goes the art.

poster art in modern white living room / sfgirlbybay

kikette interiors.

when it comes to poster art, i love a strong, bold graphic — especially ones reminiscent of a 1960-70’s pop art vibe — a colorful, interesting mix of great type treatments, and avant-garde print and pattern. i took the liberty of photoshopping in some fun poster art prints into some of these room images, and i like what i see. there’s great resources for vintage pop art on etsy, ebay and even flea markets, and for new pop art prints, like concert posters, i like to check out work from jason munn, and concert poster art and the poster museum.

magenta velvet sofa with framed pop art / sfgirlbybay

1956 poster for Villa Borghese by Gianni Franciolini, Italy, 1953 dropped into an image from rue magazine.

Bernhard Buhmann contemporary abstract art painting via artsy. / sfgirlbybay

Bernhard Buhmann contemporary abstract art painting via artsy.

framed vintage book cover art and modern decor / sfgirlbybay

vintage book cover added to this decor via adore magzine.

blue poster of Warhol's interpretation of the moon landing / sfgirlbybay

a poster of Warhol’s interpretation of the moon landing via boligliv.

graphic print via inaluxe. / sfgirlbybay

inaluxe graphic print.

the fig house, via its designer emily henderson with inaluxe graphic print. / sfgirlbybay

the fig house, via its designer emily henderson with inaluxe graphic print.

watercolor print / sfgirlbybay

a watercolor by Harland Miller hangs in the home of Harriet Anstruther Studio featured in T Magazine (above + below).

framed prints via T magazine / sfgirlbybay

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from sfgirlbybay http://www.sfgirlbybay.com/2016/11/07/pop-goes-the-art-2/


A Home Celebrating a Love of Vintage Finds Near Seattle, WA

A Home Celebrating a Love of Vintage Finds Near Seattle, WA

Moving from one side of the country to the other, Dawnelle and Jonathan Sarlo transplanted their family from New Jersey to Renton, WA — a city outside Seattle. For Dawnelle, one of the biggest concerns of changing coasts was the difference in climate. “I was very worried about moving to Seattle because of the gloomy, cloudy, dark weather during the winter,” Dawnelle admits. Her concern for overcast weather conditions put having a home with natural light on the top of their priority list and thankfully, they found a home flooded with it.

With vaulted ceilings, high windows, lots of land, and a good location, the home felt like a good fit even though it was far from perfect. The Sarlo family’s home was a foreclosure that needed a lot of love before they moved in. “The dusty pink carpet straight out of the 90s just wasn’t cutting it,” she notes. The couple painted the entire home, remodeled the kitchen with modern cabinetry, and opened up spaces. “Most of the work we did ourselves. It was a major learning process, but totally worth it!”

Installing the kitchen’s backsplash was a little more intensive than they anticipated. “What we expected to take about six hours took us well over fourteen. I woke up the next morning more sore than I ever remember. The good news? I absolutely love it!”

Dawnelle loved seeing her hand in the work she did on her home, which also translated to how she decorated it. “Overall my goal for the space was to create a place that was full of color, pattern, texture, and interesting things with interesting stories.” Her love of pieces with backstories inspired her to co-found D+K Renewal, a vintage store she runs with her cousin Kirsten. Their passion project is built by their love of global goods, and vintage and handmade pieces. From Dawnelle’s eclectic style, you can see her genuine fondness of decor with history shown throughout her home. –Tawnee

Photography by Delgado House

SOURCE LIST

Dining Room

Sheepskins — Cowboy Kate
Sisal Rug — World Market
Kilim Rug — Kaya Kilims
Wood Lamp — Vintage, D+K Renewal
Mudcloth Pillow — D+K Renewal
Dining Chairs — Vintage and Amazon

Kids’ Room

Map Tapestry — Urban Outfitters
Dresser — IKEA
Dresser Handles – Anthropologie
Baskets – IKEA
Serapes — D+K Renewal
Duvet Covers — Urban Outfitters
Indigo Pillows – D+K Renewal
Lights – IKEA

Kitchen

Table — IKEA
Chairs — Target
Stools — Vintage
Calendar — Stendig.com
Curtains — Urban Outfitters
Pendant Light — World Market
Rug — Kaya Kilims
Candlesticks — World Market

Living Room

Leather Chair — Craigslist
Fur Pillow — West Elm
Kilim Pillow — Kaya Kilims
Corner Floor Lamp — IKEA
Sheepskin — IKEA
Gold Table — Target
Woven Wall Hanging — @artsyjes on Instagram
Kilim Pillow — D+K Renewal
Wood Tables — vintage
Chrome Floor Lamp — Lamps Plus
Rugs — D+K Renewal

Master Bedroom

Duvet — IKEA
Kantha – D+K Renewal
Long Pillow — Urban Outfitters
Mudcloth Pillows — D+K Renewal
Sheepskin Pillows – IKEA
Macrame — D+K Renewal
Dressers — Vintage
Shell Chandelier — Vintage
Curtains — Urban Outfitters
Necklace – Nature Bound
Paint color – Sherwin Williams Black Magic SW 6991

Basement

Hanging Chair – Vintage
Trunk – Vintage
Artwork – IKEA
Sheepskin Pillow – IKEA
Antlers – Yarn Bombed Antlers
Gold Pot – H&M Home
Rug – D+K Renewal
Orange Chair – IKEA
Kantha quilt – D+K Renewal
Mudcloth Pillow – D+K Renewal
Kilim Pillow – D+K Renewal
Black Side Table – Target
Graphic Artwork – Jenna Kutcher on Society6
Mirror – Pottery Barn
Plant Hanger – D+K Renewal
White Arm Floor Light – IKEA
Sofa – zGallerie
White Mudcloth – D+K Renewal
Kilim Pillows – Kaya Kilims & D+K Renewal
Other Pillows – IKEA & West Elm
White Moroccan Inspired Rug – RugsUSA
Green Trunk Coffee Table – Vintage Red Cross Supplies Box
Curtains – IKEA

from Design*Sponge http://www.designsponge.com/2016/11/a-home-celebrating-a-love-of-vintage-finds-in-seattle-wa.html


Bohemian Inspiration In A Family’s Art-Filled California Home

Bohemian Inspiration In A Family’s Art-Filled California Home

When Sharlene Kayne and her family found their 1927 dream home in the La CaƱada Flintridge suburb of Los Angeles, CA, they had already settled on a nearby ranch-style house from the 40s. There hadn’t been a lot to pick from in the area they wanted to live in, and the family simply felt that they could make some improvements to the ranch home down the road. All those plans went out the window when they first set foot into the newly listed 4,400-square-foot house that would soon become theirs. A combination of Spanish Mediterranean and Italian Renaissance, there was something truly special about this house. Despite some parts that were remodeled in the 80s, it had tons of that old-time charm and character that the family loves, including high ceilings, rounded arches, and large original windows. Needless to say, they decided to take the plunge and leave their ranch house behind. Everything happened amazingly fast — both sales were completed within a week thanks to hard work and a bit of luck!

It has been nine years since Sharlene along with her husband Kevin Dorse, a trial lawyer, and daughters Joelle and Jenna, moved into their beautiful 11-room house. On top of volunteering for a nonprofit organization serving at-risk youth, tutoring elementary-age children and mentoring, Sharlene is also a maker and stylist and the creative force behind the family’s art-filled and eclectic haven of a home. “We wanted our home to feel welcoming and have an artistic and whimsical feel. We also wanted it to be the hangout place for our kids and their friends,” Sharlene shares. It is safe to say that Sharlene and her family have been able to create just that — a warm and inviting home that you simply don’t want to leave.

Sharlene has tastefully mixed flea market finds, antiques, bohemian decor and natural materials. Each room is more creative than the next, and surprises you with delightful details, inspiring colors and plenty of texture. Sharlene also loves to swap pieces around between rooms, which means that most spaces tend to get periodic transformations and mini makeovers. She swears by colorful Kantha quilts, the easiest and quickest way to change the look of a room in less than five minutes. For the most part, the house is just the way Sharlene and her family like it, though a little kitchen update may be coming up in the future. “The thing with evolutionary design is, it will never be done!” Sharlene adds.

Besides the creative and eclectic decor, what makes the Kayne-Dorse residence truly unique is the art. Sharlene’s own artwork, from colorful portraits to amazing newspaper weavings, can be found throughout the home. In addition, Sharlene and her family have collected special pieces by other artists during the years, and together they make up a tasteful yet quirky collection. The end result is an aesthetically imaginative home full of personality — a place that truly inspires and amazes with its artful and laid-back feel. Once you’ve toured this home, odds are you’ll want to go right back and click through it again! — Sofia

Interior photography by Sharlene Kayne, family portrait by Andy Kitchen

from Design*Sponge http://www.designsponge.com/2016/11/bohemian-inspiration-in-a-familys-art-filled-california-home.html


the shutterbugs: sarah e. elliott.

creative workspace photographed by sarah e. elliott. / sfgirlbybay

talented photographer sarah e. elliott comes with an impressive pedigree — she’s a graduate of the prestigious Parson’s School of Design with a Bachelor of Fine Arts in Photography and in addition, she has taken courses at Rhode Island School of Design and the International Center of Photography. i first noticed sarah’s beautiful work through her campaign for loeffler randall and was so enamored i had to pop over to her online portfolio, which was just as impressive. Sarah’s photographs have been published by The New York Times, The Los Angeles Times, Vanity Fair, Marie Claire, Domino and goop — and these are just a few of my favorite images. visit her website for more inspiring decor imagery.

loft space photographed by sarah e. elliott / sfgirlbybaywhite sofa with colorful throw pillows photographed by sarah e. elliott. / sfgirlbybayinspiring decor photographed by sarah e. elliott / sfgirlbybaybedroom decor photographed by sarah e. elliott / sfgirlbybayinspiring living room decor photographed by sarah e. elliott / sfgirlbybaypotted plants and flowers photographed by sarah e. elliott / sfgirlbybaymodern bohemian bedroom photographed by sarah e. elliott / sfgirlbybayhome decor photographed by sarah e. elliott / sfgirlbybaymodern dining room decor photographed by sarah e. elliott / sfgirlbybaywood beamed ceilings in white living room / sfgirlbybaywhite sofa with white brick walls and wood beamed ceiling / sfgirlbybaybohemian modern decor photographed by sarah e. elliott / sfgirlbybaywhite home decor photograped by sarah e. elliott / sfgirlbybaythe shutterbugs: sarah e. elliott. / sfgirlbybay

• photography by sarah e. elliott.

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from sfgirlbybay http://www.sfgirlbybay.com/2016/11/07/the-shutterbugs-sarah-e-elliott/


Friday, November 4, 2016

In the Kitchen With: Hawa Hassan’s Sabaayad

Sabaayad (Somali chapati) | DesignSponge

This week’s recipe is a traditional Somali dish with a special place in Hawa Hassan’s heart. Hawa Hassan is the founder of traditional Somali sauce company, Basbaas Sauces, and this is her mother’s recipe for Sabaayad, or Somali chapati. When making sabaayad, Hawa and her mother, I am sure, know instantly when the dough is the right consistency. They know when to turn the sabaayad in the pan without setting a timer, and they know how flaky sabaayad has to be for it to be considered good by Somali standards.  Those are insider tricks that take a long time to perfect. For my first attempt, however, I think mine came out just fine, shape aside, and yours will, too!  I cut my dough into twice as many pieces as Hawa’s recipe calls for to give myself a chance to practice, but feel free to stick to the recipe yield of eight. —Kristina

Why Hawa loves this recipe: The Somali chapati, also known as sabaayad, is crispy on the outside and flaky and tender inside. It’s got a golden tinge and a slightly sweet flavor. And it has a special place in my heart. In difficult times, my mother served it to us as a treat. With a few drips of honey and a cup of tea, it was a getaway to happiness. I hope my future children love it as much as I do, and make it their own. For this recipe, however, I’ve glammed it up a bit with cilantro.

Portrait by Nasozi Kakembo | Food photography by Kristina Gill

Cilantro for sabaayad | DesignSponge

Sabaayad (Somali chapati)
Yields 8 chapatis

Ingredients

— 3 cups all-purpose flour, plus more for rolling out the dough
— 1 cup whole wheat flour
— 2 tablespoons olive oil
— 1 teaspoon baking powder
— 2 tablespoons sugar
— 1 teaspoon salt
— 1/4 cup chopped cilantro
— 2 cups hot milk, you may not use all of it
— 1¼ cups oil for brushing and cooking

Directions

Sift the whole wheat flour. Put all the ingredients, except the milk, in a bowl, start mixing and slowly pour in the hot milk until you have a mass of dough that holds together and is not too loose — it can take up to 5 minutes. Use a wooden spoon to mix, and again, do it slowly. Then knead the dough for at least 15 minutes. (You can use a stand mixer with a dough hook if you prefer.) Lightly coat the dough with oil, transfer it to plastic covered bowl or a plastic bag, and let it rest for 30-45 minutes.

Next, cut the dough into eight equal pieces. Roll out each piece into a flattened rectangular or circular shape. Brush a layer of oil on the surface of each piece, then fold it over 4 times to create layers, then flatten it again.

Heat a skillet to medium, then place the chapati on it. Wait until bubbles start to form, or about 1 minute, then flip it. Next, reduce the heat to low. Use a spatula to push down the edges of the chapati to keep it in contact with the pan. Flip again, but add a tablespoon of oil to the pan. Flip 4 or 5 times without adding more oil. Cook the chapati for a total of 4 to 5 minutes.

Place the chapati in a covered container to keep it warm and tender. I like to eat it with a spicy sauce as a dip, or with any kind of stew.

Sabaayad dough | DesignSponge

Hawa Hassan’s Journey

I was born in Mogadishu during a time of war. By the time I was five, tribal conflict had completely taken over, and we made our home in a UN refugee camp in Nairobi, Kenya. My mother, single with five children, did her best to ensure our continuing education and assimilation. Within two years she had worked hard enough to own a business and an apartment. As we moved out of the camp, she made a very difficult decision: to send me to Seattle, WA, to live with a family friend.

That was in 1993, and it was 15 years before I saw her and my siblings again. By then she herself had migrated to Norway and opened a furniture outlet and a Somali goods store. Meanwhile, I got discovered by a modeling scout, started this strange career and eventually moved to New York. I’ve since traveled the world, met angels who guarded and guided me, and was loved and sheltered by strangers who became family. My short life has been amazing by any standard, but as a Somali refugee I know just how fortunate I am.

My mother, my hero, always stood by my siblings and me. She made hard choices and I’m forever grateful. My happiest memories of her go back to my time in the refugee camp — my little sisters were left to my brother and me, and I spent most of my days cooking Canjeero, Bariis and Suugo. To this day my mother and I share stories of our short time together, and when I’m with her we’re both happiest when she’s showing me how to cook.

Hawa Hassan | DesignSponge

from Design*Sponge http://www.designsponge.com/2016/11/in-the-kitchen-with-hawa-hassans-sabaayad.html


Letting Go of Objects Connected to Grief & Lost Loved Ones

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My Mom, up until a month or so ago, had a three-car garage full of furniture and mementos. Antique dining set chairs long past their prime, gilded vases and adornments, a rolling wooden cart that once housed treasured vinyl records, frame upon frame of custom artwork, Persian rugs, and a leather recliner. Save for the space needed to park her car, these beloved furnishings bulked up the garage, a looming shadow of the past — memories too painful to summon, but too sentimental to truly forget. So they stayed there.

This was, after all, a vast improvement from a handful of years ago.

About four weeks before my Dad passed away on November 5, 2011, he and I sat across a round wooden table in the kitchen of my parents’ house in Arizona. Willing the tears back into my eyes — “Kel, if you get too emotional during this conversation, it’s over” — I coaxed my Dad’s end-of-life wishes out of him. He was frail from stage 4 neuroendocrine cancer, and we could all see it but him. Positively (and stubbornly) swearing he had a year or more left to live, he begrudgingly told me how to write his obituary, where he wanted to be laid to rest, and all the other stuff no child, no matter the age, wants to hear.

“…And you’ve got to get Mom out of this house. It’s just too much for her. There’s just too much stuff.” I had a laundry list of duties he wanted me to execute, and it was important for me to carry them out for him.

In February 2015, my Mom moved out of the home she and my Dad built together. Mourning him, the home, their lives there together and an abundance of other sentiments, she hung onto most of the furnishings that once filled it — knowing in her heart they’d never fit in her new, smaller home. Though she was trading a Tuscan-inspired home for a white Craftsman contemporary house, a truck full of dark wood, mustard- and rust-colored fabrics, wrought iron decor and the like made its way along with her.

But I can’t claim to be any better at this than she is.

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Over time here in California, I’ve culled most of my decor-based memories of him down to a closet and a few boxes in my garage. At first, every time I removed something he either owned or bought for me, it felt like a betrayal. When we’re fresh with grief, everything is sharp around the edges and everything hurts like hell. Everything reminds us of the person we lost — a song, a favorite place, a specific meal, nostalgic smells, household items.

After my Dad died, I particularly clung to items he had more recently purchased for me. I have memories of driving him around in the rain one day, because it was important for him to have something to do or look forward to each day. We found ourselves at a store perusing home decor, and he picked out some things for me, including a pearlescent blue and green plate in the shape of a flower. I remember scolding him on the way back to the car as the rain poured down and he insisted on carrying our purchased wares himself; I was terrified he was going to slip and fall in his weak state. But he was proud to usher home these things for me, and I let him.

For years my family and I split rent on a home in California so they could frequently visit my husband and I from Arizona, and we morphed our styles and unused family furnishings. Time passed after my Dad’s death, and my design style evolved greatly. What was once a shared style between my parents and I dissipated after my husband and I bought our own home. I experimented with my newfound aesthetic, and pieces of my parents’ influence began to fall away.

brucebrownedited

Some things were given away to friends or donated, and others shuffled around the house — some of them to the dark corners of the closet or garage. Every time I removed something, I thought my Dad would be disappointed. I felt my stomach drop — every time. A framed print, a table, a rug, a decorative object: was I erasing him? As time barrels forward and I’m left trying to remember what advice he’d give me on a rough day, or what he’d order to eat at a certain restaurant, am I doing myself a disservice in choosing to remove the tangible memories?

When I do finally remember exactly what he’d say about this, I realize the answer is no.

He’d tell me we can’t take it with us. He’d shake his head and chuckle at me for vacillating over whether or not to keep a vase he once got me, or a years-old candleholder he forgot he even owned. He’d remind me to keep the special things between us — the ones that brought the best memories. He wouldn’t want me, or my family, burdened with the things he left behind. Moving on from these tangible memories doesn’t mean I don’t love or miss him more than I can fathom. It’s a hopeful, progressive part of the grieving process.

In my house now, I can count a few items on one hand in each room that hold good memories of him. Like the small red hutch with built-in wine storage (he loved red wine), framed vintage Bruce Brown surf film posters he found for a few bucks apiece, and the flower plate, which moved around the house until it landed on a bookshelf upstairs. In the closet of my daughter’s room I have a few of his shirts he wore when visiting me in California, and we would walk around our beach town at night after dinner, talking about music. In a few boxes there are things I’ll probably relinquish to donation bins next, but I’m not there yet.

I’m encouraged by my Mom’s slowly dwindling collection in her garage.

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A couple of weeks ago she was standing in her garage, watching as a volunteer from Goodwill hauled the old items onto his truck. All steeped in some memory of my Dad, one way or another, she allowed them to be plucked from the refuge of her keeping. She was handling the process remarkably well, even surprising herself, until the volunteer loaded up the leather recliner.

“He could tell I was hesitating,” my Mom told me. “He asked if I was alright with him taking it, and he asked ‘what memory does it bring you? Is it a good one or a bad one?’ And I trusted him, because he said he does this a lot; he goes to people’s homes where someone has passed away. It’s amazing how many emotions are attached to some of this stuff, he said.”

My Mom answered him, “Well, we bought the chair when my husband was sick. He never sat in the chair when he was healthy.”

The volunteer looked at her and asked, “Do you have another chair he loved when he was healthy?” and my Mom said “yes.”

He smiled: “Focus on that one.” —Kelli

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from Design*Sponge http://www.designsponge.com/2016/11/letting-go-of-objects-connected-to-grief.html